It has been several months since my last post looking at blue whale on the move but finally the long process of cleaning and conserving each individual bone has been successfully completed and the conservators are now just embarking on surface scanning the bones in high definition. Conservation can be an extremely slow process but it is worth the time and effort. During the past 9 months the team have cleaned and conserved over 220 individual bones. This equates to over 110m2 of whale bone surface area.
During this time we also planned the final position and articulation of the whale for its suspension in Hintze Hall so the armature design could commence. This post outlines the conservation treatment and articulation planning phase of this project.
The stunning 25 metre long skeleton of a blue whale (Balaenoptera musculus) currently suspended in the Museum’s Mammals and blue whale gallery since 1934 is to be taken down in January 2016. After an extensive period of cleaning and conservation it will then be re-suspended from the ceiling of the Hintze Hall in the summer of 2017.
Following months of careful consideration the blue whale skeleton has been chosen to take centre stage at the Museum, to give an immediate introduction that illustrates our research into the rich biodiversity of life on Earth and a sustainable future, as well as the origins and evolution of that life.
Moving a blue whale around is quite literally an enormous project which involves many specialists including curators, project managers, scaffolders, structural engineers, specimen handlers, and mount makers, to name but a few. Central to this project are the conservators who will be ensuring the skeleton is given the due care and attention it needs.
So exactly how do you work on a large specimen suspended over 6 metres above the ground with many other specimens and models surrounding it? That’s the story we aim to tell in our upcoming posts in our new Conservators blog.